Today and yesterday I was on a fantastic weekend playing string quartets at the house of a local musical couple called Barbara and Walter Fairburn. We had two “coached” sessions (with a string teacher called Dierdre Ward, who is a real pro, but lives in the posh bit of Morecambe, more properly called Bare), and the rest of the time was set aside for just playing stuff speculatively! Over the course of the two days, I played the following quartets:
- Shostakovich: No. 8
- Beethoven: Op. 18 no 3,4 and 6
- Dvorak Op. 51
- Borodin No. 2
- Mozart: “Dissonance”, KV465 and “The Hunt”, KV. 458
So, plenty of good stuff to get our teeth into there (I suppose using bows might have been better in retrospect, but there you go…).
I took part in the same thing last year, when I’d hardly played any string quartets: I certainly noticed the difference this year with so much more experience under my belt, particularly in the importance of counting, and I just seem to be able to play much more accurately (except, alas, in Mozart’s 1st violin parts, bit of a nightmare there, and I really hope the local cat population was safely locked indoors).
After a bit of a ropey start yesterday with the Shostakovich (I’d been practising it rather too fast for the others to cope with, and I hadn’t realised quite how hectic the cello part was), we really managed to get the 2nd movement pretty tight for our tutored session today. One interesting point that came out was that playing aggressively loudly on the E string just doesn’t work (just leads to scratching) so the thing to do is make it “ring”, by moving the bow fast. In the passage in question, the 2nd violin was in octaves with me, so we got her to play out much more, which really helped! The 3rd movement confirmed that my off-string technique leaves much to be desired (so much so that Dierdre suggested that I just play it on the string for now, until I learn how to do spiccato properly, at the moment it kind of makes the right noise, but it’s so rhythmically inaccurate that it’s more of a hinderance in ensemble playing)
An added bonus of the weekend was making three musical contacts. A woman called Leah and I were chatting about home education (she’s just about to pull her 6-year old daughter out of school to go it alone), and it also turned out she’s looking for an accompanist! Secondly, Rachel Lee (a pianist-cum viola player) has two pianos at home: we’re probably going to have a bash at the Lutoslawski Paganini Variations, if I can manage them. And finally, it turned out that Val Snelling is very keen on the Shostakovich 8th Quartet, so I’m going to try to arrange for Ruth Self and her to play it with me and CJ sometime!
A fantastic weekend then, now it’s back to Hankel operators etc.